FANNY SANÍN’S GEOMETRIC ABSTRACTION IN NEW YORK

Americas Society presents the first institutional retrospective in New York of Colombian artist. The exhibition will highlight the six decades of her career, which has positioned her as a key figure for several generations of Latin American women.

News

FANNY SANÍN’S GEOMETRIC ABSTRACTION IN NEW YORK

Americas Society presents the first institutional retrospective in New York of Colombian artist. The exhibition will highlight the six decades of her career, which has positioned her as a key figure for several generations of Latin American women.

VUTAMUSEO 2025: MEMORY AND TERRITORY ON HERITAGE DAY

MAM Chiloé opens the sixteenth edition of Vutamuseo, a cycle of exhibitions that celebrates the diversity of artistic perspectives through five proposals that intertwine color exploration, pedagogy, photography, and reflections on memory and environment.

News

VUTAMUSEO 2025: MEMORY AND TERRITORY ON HERITAGE DAY

MAM Chiloé opens the sixteenth edition of Vutamuseo, a cycle of exhibitions that celebrates the diversity of artistic perspectives through five proposals that intertwine color exploration, pedagogy, photography, and reflections on memory and environment.

A DISPLAY OF PANAMANIAN DREAMS: ACTIVATIONS IN THE CITY OF ART

As part of Pinta Panamá Art Week, Lo que sueña toda vida takes place—an exhibition project that reflects on ways of living in the Central American country. Curated by Juan Canela and Emiliano Valdés, the program features a series of artistic actions by Felipe Gómez and Jonathan Harker, the Enlaces Program, Libertad Rojo, and Humberto Vélez.

By Violeta Méndez
Reviews

A DISPLAY OF PANAMANIAN DREAMS: ACTIVATIONS IN THE CITY OF ART

By Violeta Méndez

As part of Pinta Panamá Art Week, Lo que sueña toda vida takes place—an exhibition project that reflects on ways of living in the Central American country. Curated by Juan Canela and Emiliano Valdés, the program features a series of artistic actions by Felipe Gómez and Jonathan Harker, the Enlaces Program, Libertad Rojo, and Humberto Vélez.

May 22, 2025
TWO LEADING PANAMANIAN GALLERIES BRIDGING GAPS AND BUILDING CONNECTIONS

Two spaces that have sought to foster the growth of local art since their inception are part of Pinta Panamá Art Week, where creative energy is palpable. With proposals that combine exhibition, reflection, and audience development, both galleries present themselves as driving forces in an expanding scene shaped by collective work, experimentation, and a shared desire to strengthen the cultural fabric.

By Violeta Méndez
News

TWO LEADING PANAMANIAN GALLERIES BRIDGING GAPS AND BUILDING CONNECTIONS

By Violeta Méndez

Two spaces that have sought to foster the growth of local art since their inception are part of Pinta Panamá Art Week, where creative energy is palpable. With proposals that combine exhibition, reflection, and audience development, both galleries present themselves as driving forces in an expanding scene shaped by collective work, experimentation, and a shared desire to strengthen the cultural fabric.

PINTA PANAMA ART WEEK: AN INSTITUTION, A GALLERY, AN ACTIVATION AND A CONVERSATION

A selection of events, activities and cultural proposals bring together artists, curators, collectors and specialists in different parts of Panama City. Pinta Panama Art Week proposes an ambitious agenda from May 21 to 25 with the best of contemporary art in the region.

By María Galarza
News

PINTA PANAMA ART WEEK: AN INSTITUTION, A GALLERY, AN ACTIVATION AND A CONVERSATION

By María Galarza

A selection of events, activities and cultural proposals bring together artists, curators, collectors and specialists in different parts of Panama City. Pinta Panama Art Week proposes an ambitious agenda from May 21 to 25 with the best of contemporary art in the region.

THE FIRST TIME PINTA ARRIVES IN PANAMA
By Celeste Melgar
MARKET

THE FIRST TIME PINTA ARRIVES IN PANAMA

By Celeste Melgar
THE NEW YORK SPRING SEASON – WHAT ART FAIRS SUGGEST AND AUCTIONS REVEAL

This spring, New York’s art fairs drew large crowds and vibrant energy—from the blue-chip Frieze and TEFAF to more experimental events like Independent and NADA. A total of twelve fairs took place, reinforcing the sense of an especially intense week for the market. The aisles were filled with collectors, curators, and celebrities, yet sales reflected a more measured pace than in previous years. The market is active, but increasingly thoughtful.

By María Sancho-Arroyo, art market specialist
MARKET

THE NEW YORK SPRING SEASON – WHAT ART FAIRS SUGGEST AND AUCTIONS REVEAL

By María Sancho-Arroyo, art market specialist

This spring, New York’s art fairs drew large crowds and vibrant energy—from the blue-chip Frieze and TEFAF to more experimental events like Independent and NADA. A total of twelve fairs took place, reinforcing the sense of an especially intense week for the market. The aisles were filled with collectors, curators, and celebrities, yet sales reflected a more measured pace than in previous years. The market is active, but increasingly thoughtful.

PANAMA’S FIRST NATIONAL PAVILION AT THE VENICE BIENNALE ARRIVES AT THE MUSEO DEL CANAL

After a successful showing in 2024 at this major international platform for contemporary art, the exhibition Surcos: En el cuerpo y en la tierra (Furrows: On the Body and the Land) returns to the country and will open on April 25 at the Museo del Canal in Panama City’s historic Casco Antiguo.

News

PANAMA’S FIRST NATIONAL PAVILION AT THE VENICE BIENNALE ARRIVES AT THE MUSEO DEL CANAL

After a successful showing in 2024 at this major international platform for contemporary art, the exhibition Surcos: En el cuerpo y en la tierra (Furrows: On the Body and the Land) returns to the country and will open on April 25 at the Museo del Canal in Panama City’s historic Casco Antiguo.

FORO IN PINTA PANAMÁ ART WEEK: FOUR LIVE-TALKS NOT TO BE MISSED

From Thursday, May 22 to Saturday, May 24, the FORO at Pinta Panamá Art Week will take place across various institutions in the city. Curated by Mónica E. Kupfer, the series presents a diverse program featuring both local and international experts. The event is free and open to the general public.

 

 

News

FORO IN PINTA PANAMÁ ART WEEK: FOUR LIVE-TALKS NOT TO BE MISSED

From Thursday, May 22 to Saturday, May 24, the FORO at Pinta Panamá Art Week will take place across various institutions in the city. Curated by Mónica E. Kupfer, the series presents a diverse program featuring both local and international experts. The event is free and open to the general public.

 

 

RELIGION, FASHION, AND RESISTANCE ACCORDING TO BÁRBARA SÁNCHEZ-KANE, AT COLLEGIUM

Multidisciplinary artist Bárbara Sánchez-Kane (Mérida, Mexico, 1987) presents ¿Cuántos ángeles caben en la punta de un alfiler? (How Many Angels Fit on the Tip of a Pin?), her first solo show at Collegium—a center for the creation, research, and display of contemporary art, known for its residencies. With Sánchez-Kane’s project, Collegium inaugurates its new role as a museum. All the pieces, curated by José Esparza Chong Cuy, were created on site, and their placement within the Church of San Martín fosters a dialogue with the building’s symbolic and historical character.

By Álvaro de Benito
News

RELIGION, FASHION, AND RESISTANCE ACCORDING TO BÁRBARA SÁNCHEZ-KANE, AT COLLEGIUM

By Álvaro de Benito

Multidisciplinary artist Bárbara Sánchez-Kane (Mérida, Mexico, 1987) presents ¿Cuántos ángeles caben en la punta de un alfiler? (How Many Angels Fit on the Tip of a Pin?), her first solo show at Collegium—a center for the creation, research, and display of contemporary art, known for its residencies. With Sánchez-Kane’s project, Collegium inaugurates its new role as a museum. All the pieces, curated by José Esparza Chong Cuy, were created on site, and their placement within the Church of San Martín fosters a dialogue with the building’s symbolic and historical character.

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