VIDEO COLLECTIONS FROM CA2M, MAC PANAMÁ AND BIENALSUR JOIN IN MÓSTOLES
By Álvaro de Benito
Un visionado a tres voces (A three-voiced screening frames) is the conversation between three video art collections that draw from the languages and dynamics of different Southern contexts. The selections prepared for the occasion by the Centro de Arte Dos de Mayo Museum (CA2M Museum) in Móstoles —which hosts the initiative—, MAC Panamá and BIENALSUR, carried out through MUNTREF in Buenos Aires, also aim to establish synergies among the institutions.
MARTIEL AND THE BODY AS ACTION AGAINST EXCLUSION, AT CENTRE DEL CARME
By Álvaro de Benito
The Valencian Centre del Carme presents South Body, a broad selection of recent performance documentation by Carlos Martiel (Havana, Cuba, 1989). Through photographs and videos, the exhibition explores the relationship between racism and xenophobia and the way the body becomes the materialization of exclusion. This corporeal object, or objectified body, is employed by the artist as a medium to express cries of resistance and to propose critical reflections on power structures and their influence on the construction of contemporary society.
ISABELLA LENZI AND CURATORSHIP AS A CHORAL SPACE
By María Galarza
Isabella Lenzi (São Paulo, 1986) is a curator trained in architecture, museology, and art history. She lives in Madrid, where she works as Visual Arts Curator at the Círculo de Bellas Artes and as Artistic Director and Chief Curator of the Fundación Alberto Cruz, following a trajectory that includes institutions such as the Museo Reina Sofía, Fundación Mapfre, Videobrasil, the Cuenca Biennial, and the Whitechapel Gallery.
LIVING ART AT COCONUT GROVE: THE EXPERIENCES THAT SET PINTA MIAMI APART
With Special Projects, the Sculpture Garden, and the FORO program, the fair stands as the key meeting point for Latin American art during Miami Art Week.
PINTA MIAMI 2025: THREE PROPOSALS REIMAGINING TERRITORY, BODY AND COMMUNITY
By Violeta Méndez
In its new edition, Pinta Miami reaffirms its role as a vital anchor of Miami Art Week. Curated by Irene Gelfman, the fair presents three projects that explore—through distinct approaches—the shifting relationships between landscape, identity, and collective experience.
PHYSICS AND SENSORIAL MATTER IN ALBA TRIANA, AT MAX ESTRELLA
DIALOGUES IN NEXT, PINTA'S PLATFORM FOR RETHINKING THE CONTEMPORARY
By Violeta Méndez
In its 2025 edition, the fair unfolds a terrain of questions and encounters. Curated by Juan Canela, NEXT proposes pairings of artists and galleries that explore how we inhabit, name, and imagine the region, articulating new ways of thinking about the contemporary from Latin America and the Caribbean.
THE QUOTIDIAN GESTURE AS A POLITICAL ACT: ARGOTE AT ALBARRÁN BOURDAIS
AN ANALYTICAL JOURNEY THROUGH THE HISTORY OF PERU, AT DANIEL CUEVAS
IRENE GELFMAN: BETWEEN SCENES, ARCHIVES, AND TERRITORIES
By María Galarza
To tell, narrate, or curate always implies a perspective. From where one speaks, to whom one speaks, and which points of support are chosen when conceiving an exhibition—when designing a story. Irene Gelfman is an Argentine curator, art critic, and cultural manager. She trained as an art historian and curator. Today, she is the global curator of Pinta.
GROUP EXHIBITION ON THE RESIGNIFICATION OF CRAFT IN ISABEL HURLEY
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